“I don’t know what will become of Shinji or (the other characters), or where they will go,” he wrote.Īnno was clearly not satisfied, as he continued to look for a conclusion, recutting the last episodes and reworking them in the feature “Death & Rebirth” (1997) and again in the second 1997 feature “The End of Evangelion.” Shortly before “Evangelion” aired, Anno wrote that he had created it after four years of severe depression when he was “a wreck, unable to do anything” and that “the story has not yet ended in my mind.”
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The original series failed to resolve the intricate plot, with its theological and ontological overtones. I don’t think that kind of opportunity will occur again.”ĭespite its popularity, “Evangelion” never had a satisfactory ending. The ‘Evangelion’ project repeatedly came up, so I made the new theatrical movies. “I decide what to make based on what I’m best suited for and what interests me most at the time. “My influence on other creators isn’t something I think about when I’m working on a film,” Anno told me in an interview. Its influence is extensive and includes Japanese animated fantasies and Guillermo del Toro’s 2013 sci-fi adventure “ Pacific Rim.” And fans continue to debate its significance, subtext and details.
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The fourth and final theatrical feature in the “rebuild” of his landmark 1995-96 television series, “Neon Genesis Evangelion,” brings the epic adventure to a definitive conclusion.Ī compelling, complex work that mixes mecha battles with apocalyptic Christian symbols, Jewish mysticism and teenage angst, “Evangelion” (pronounced eh-van-GEH-lee-on, with a hard G) ranks among the most widely discussed TV series in anime history. 13, is the film that anime fans have awaited for 25 years.
Hideaki Anno’s “ Evangelion: 3.0 + 1.0: Thrice Upon a Time,” which begins streaming on Amazon Prime on Aug.
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